The lord Brahman then, with a gratified heart, gave unto Skanda four companions, possessed of great might, endued with speed like that of the wind, crowned with ascetic success, and gifted with energy which they could increase at will. They were named Nandisena and Lohitaksha and Ghantakarna and Kumudamalin.
The Ghantakarna episode is described in 11 chapters (chapter 73 to 83) in Bhavishya Parva of Harivamsa, the supplement to Mahabharata.
Rugmini requests Krishna for a son equal to him. To achieve this, Krishna decides to go to Kailasa to please Siva (Rugmini's request for a son - chapter 73). The subsequent chapters are Speech on the eve of Journey to Kailasa (chapter 74), Preparation for the Journey (chapter 75) Entering Badari (chapter 76) and Reception at Badari (chapter 77).
In the evening, Krishna goes to the banks of Ganga and starts meditation. Krishna's meditation is disturbed by some sounds. Krishna sees that he is surrounded by many hunter dogs and other wild animals. The dark night is made as bright as the day by a large number of torches. Krishna sees a number of ghosts and pisacas. (Appearance of Pisacas - chapter 78).
As Krishna looks on, two pisacas with swollen chins and protruding tongues arrive, chanting Vishnu's names and praising the greatness of Vishnu. (Arrival of Pisacas - chapter 79)
Without realising that Krishna is the same person whom they are praising, the pisacas question Krishna about him. Krishna answers that he, born in Yadu Race is on his way to Kailasa to meet Siva. The pisacas introduce themselves as Ghantakarnas, servants of Kubera (God of Wealth) and disciples of Siva. Being Vishnu-haters, they wore bells (Ghantas) on their ears (Karna) to ensure that Vishnu's names do not enter their ears. Having pleased Siva with their devotion, Ghantakarnas prayed Siva for salvation. Siva advised that since only Vishnu can grant salvation, they should worship Vishnu and proceed to Dwaraka to meet him. Ghantakarnas explained that the hunt is to conduct a Vishnu Pooja (Worship of Vishnu). Then they start meditation. (Meditation of Ghantakarna - chapter 80)
Pleased by their devotion, Krishna reveals his true form in the minds of these two meditating devotees. The Ghantakarnas are happy by the vision of Vishnu (Ghantakarna's Vision of Vishnu - chapter 81). Upon opening their eyes, they saw Vishnu standing in front of them exactly as they had seen him during meditation. Overjoyed to see Vishnu,they start dancing. They praise (Praise by Ghantakarnas - chapter 82)
The Ghantakarnas offer Krishna a piece of flesh from the fresh dead body of a brahmin, saying that that is the best food. Krishna says he is pleased with their devotion, but politely refuses the offering. He converts the Ghantakarnas to divine bodies and sends them to heaven. The Ghantakarnas request a boon from Krishna that those who think about the meeting of Ghantakarnas with Vishnu shall become purified in mind and thoughts (Grant of Salvation to Ghantakarnas - chapter 83 )
(Condensation in English by A. Purushothaman based on Malayalam Translation of Harivamsa by Kunhikuttan Thampuran)
(Description of Krishna's Tapas - chapter 84)
(The Coming of Mahadeva - chapter 85)
In this chapter we read that Indra, Yama, Adityas, Yakshas, Kinnaras,
Gandharvas, Apsaras, Siddhas, Rishis all went to the place where Krishna
stood in meditation.
(Coming of Mahadeva - chapter 86)
We read that many bhutaganas stood in front of Krishna. Here follows a list
of who these bhutas are. Guess who heads the list? Ghantakarna!
http://www.youtube.com/watch?v=QcII8kRYlFs
http://srivaishnavam.com/divyadesam108/badri_trip.pdf
http://amlandebnath.blogspot.com/2011/03/badrinath-stories-ghantakarna-door.html
http://gururajbn.blogspot.com/2011/01/meditating-narayana-at-badri-vishaal.html
http://www.benares.uni-hd.de/index.htm
Here we find reference to Ghantakarna in Kailasanatha Shukla's Kasidarpana
(Mirror of Kasi) (1876). Kasidarpana is a historical map of Benares based on
the Kasikhanda and related works. We read "Ghantakarna is surrounded
by ten million ganas. In the
northern direction of Avimukta they are the guardians".
http://www.benares.uni-hd.de/p/p453/s453_popup.htm
http://jainsamaj.org/literature/deities-121202.htm
DEV, DEVIs, yaksh & yakshinis
By Mr. Pramoda Chitrabhanu
From this article we read:
GHANTAKARNA VEER
This deity is worshipped for protection and driving away the evil influence
created by lower types of negative energy. His arrow indicates
penetration of evil forces. The bow gives forceful momentum to the arrow.
His symbol is the bell which resounds to create auspicious sounds
in the atmosphere. Sometimes people who are not aware of the fact call him
by the name Ghantakarna Mahavira which creates confusion
between Lord Vardhaman Mahavira and Ghantakarna Veer.
"Kamakhya is located on a hill - Neelachala Parvat or Kamagiri near the city of Guwahati in Assam."
"Other temples on the Neelachala hill include those of Tara, Bhairavi, Bhuvaneswari and Ghantakarna."
Also see http://pauri.nic.in
"It is believed that Ghantakarna was a demon and the festival is celebrated to mark the death of the demon." (The legend of the demon follows).
"But according to Hari Ram Joshi, cultural expert, Ghantakarna or Gathemo is Kumar Kartike, son of Lord Shiva and Goddess Parwati. On his birthday gods visiting him gifted various things among which Kumar liked Ghanta (bell) and wore it after which all the gods called him Ghantakarna."
"Kumar Kartike was the commander-in-chief of gods and killed demon Tarkasur. So the festival is celebrated in his name, who rescued all gods and people from the demon and protected all living beings of Dev Lok (heaven), Prithvi Lok (earth) and Patal Lok (place below earth)," said Joshi."
Ghantakarna: see Bhairava
Bhairava:
Siva's form of terror and transcendency
Bhairavas:
sixty-four terrible lesser manifestations of Siva
(such as Ghantakarna)
In the same book we find in
Chapter IV: Manifestations and Realizations of Rudras
page 75
He is the liberator, but-- paradoxically-- he is also the ferryman from
death to life. The fierce guardian of the Uncreate, at the inception of life
on earth, having entered into the created world, is the ferryman who leads
to the other shore. In THIS created world his images representing parts of
his energy are carved in stone on the Sun Temple of Konark overlooking the
ocean, from the thirteenth century to this day. The images are those of the
Ganthakarna Bairavas, two on each side of the temple; one image peaceful;
other wrathful. Each of these large figures dances in a small boat, the
"world-boat". It forms the pedestal of the Bhairava. They protect the
temple[3]. The world is Rudra's boat; it is also his hunting ground.
[3] Boner, Alice and Sadasiva Rath Sarma, with Rajendra Prasad Das,
New Light on the Sun temple at Konarka,
Varanasi, 1972.
http://www.ramanuja.org/sv/bhakti/archives/may2002/0049.html
on Vishnusahasranama
SrI vishNu sahasra nAmam - Slokam 73 - stava-priyah.
We read:
"SrI BhaTTar
gives an example of this guNa of bhagavAn by referring us to the
incident of ghaNTAkarNa, who did not like to hear even the name of
vishNu being uttered by anyone even casually. So he suspended two
bells from his ears, and at the very utterance of the name of vishNu,
he will shake his head violently, so that these words won't fall in his
ears. But in order to ensure that he shake his head at the mere
mention of the name of vishNu, he had to always be thinking of vishNu,
and watching for even a casual mention of the name of vishNu. The Lord
took this as constant meditation on Him, and gave salvation to
ghaNTAkarNa for this constant meditation on Him. This is an example of
how He takes even the negative thought about him as praise of Him."
The Thira Mahotsava starts with a Kalari Pooja on 12th Makaram ( Malayalm Month ). The festival is held during three nights during 13th to 15th of Malayalam Month of Makaram every year at Koodali Thazhath Veedu, Koodali, Kannur Dt- 670 592, Kerala, India.
Looking at his son, Siva said: You came to remove this terrible disease. I order you to remove this disease.
The son of Siva did not hesitate. He massaged Siva's body with his hot hands. All the pores vanished from Siva's body.
Then Siva realized the danger posed by his three bhutaganas who had descended on earth earlier.
Siva ordered: Proceed immediately to the earth to remove this terrible disease.
Kanthakarnan of the terrible form became a Theyyam worshipped by devotees.
The scene of Kanthakarnan dancing with torches blazing from all over his body is fearsome. He is called Agnikanthakarnan also since he dances on the fire as well.
http://www.youtube.com/watch?v=Dgvo5pxH97o
As to who leads or marshals it (goddess's army), suffice it to say that
there are as many candidates in Central Kerala as there are in the
Draupadi cult Mahabharata[19], but that the figure who should be studied most
closely in relation to Pottu Raja-Pormannan and Virapattiran is
Ghantakarnnan, "Bell-Ear", whom Tarabout shows to be another "transfigured
demon" and multiform of Virabhadra himself[20]. What is most important for
us in the Kerala festivals is that the goddess's Bhuta army may also
composed of, or include within its ranks, the Kauravas.
Another installation is in the Devi Temple of chettiarikkal near Muthuvattoor (near Chavakkad, Trichur)
In both these temples, during the annual festival, elephants are not used. It is said that Ghantakarnan, servant of Siva is entrusted with the task of procuring elephant skin for Siva and hence elephants do not go near him!
There is a temple of Ghantakarnan at Thiruvathra. ( Trichur )
Kantakarnan is one of the family deities of Mathuppulli Thevan of Thirumittakkode of Palakkad Dist. ( Article by V.K.Sriraman in Bhashaposhini of February 2004 )
There is a Ghantakarnan temple located to the right of the Bhadrakali temple at Narayanamkulangara near Mammiyur, Guruvayur, Kerala.
The full name of the temple is "Sri Narayanamkulangare Tazhekkavu CiriccikkoTTikavu Bhagavathy Ksetram". The name mentions "laughing" and "clapping". Here are some views of the temple complex.
The Asura Daruka (also called Darika) received boons from Brahma and starts to oppress the universe. When it becomes unbearable, Siva creates Bhadrakali from his third eye. Bhadrakali killed Daruka. Manodari, wife of Daruka was the daughter of Asura Maya. Saddened by husband's death, Manodari worshipped Siva. Siva appeared and gave her some drops of sweat that he sweapt off from his body. Siva proclaimed that against whomsoever she throws the drops, will catch smallpox. They will have to worship Manodari and make her food offerings to dispel smallpox. From that day on Manodari became the Goddess of smallpox. On her way to earth, Manodari met Bhadrakali. Manodari threw the drops at Kali who is returning after killing Daruka. Smallpox sores appeared on Kali's body. Siva created a bhuta from his ear and sent him to Kali. Ghantakarnan is this bhuta. Ghantakarnan started to lick the smallpox sor off Kali's body. Since Ghantakarnan is Kali's brother and a brother should not touch his sister's face with his own face, Kali didn't allow Ghantakarnan t lick the soares off her face. Hence even today, there are smallpox marks on Bhadrakali's face.
In the ritual performance Thiyattu performed in the districts of Eranakulam, Kottayam and Alappuzha, the myth of Ghantakarnan appears with a small variation. Here he is called Karnakarnan. In addition, it is Parvati, not Siva, who offers sweat drops and boon to Manodari.
Source: The malayalam book, Nattarangu: Vikasavum Parinamavum by G. Bhargavan Pillai, published by State Institute of Languages, Kerala, Thiruvananthapuram (2000).
Ghantakarnan will have eighteen arms. He dispels diseases which arise from sin. In right arms he carries Vajra, sword, Danda, Chakra, arrow, pestle, hook and thorny mace. In his left arms he carries broom, sword, bell, Mundam, rope, bow, bell and axe. In addition he carries a tridant on one arm each on both sides. He is believed to dispel smallpox.
We looked up the other Bahagavatam that we know: Sri Mahabhagavatam Kilippattu ascribed to Tuncat Ezhuttacchan. Scholars are almost unanimous that Tuncat Ezhuttacchan didn't write this. In the following we summarize from the 39th edition of the book under the title Sri Mahabhagavatam: Kerala Bhasaganam, published by SriRamavilasam Press and Book Depot, Malayalam Era 1147 (1000 copies), edited by Ceppat K. Acyuta Varyar, with an introduction by M.K. Govindappillai (Vaidyasastry).
In Dasama Skanda, in between the sections, Rukmini Swayamvaram an Syamantakam, we find a long section by the name Pradyumnolpatti the summary of which is as follows:
Following Rukmini's request for a son, Krishna goes to Kailasa to obtain boon from Siva. He reaches Badari where he meets some sages. Towards night, Ghantakarnan (note the singular!) arrives accompanied by dogs and pisacas. The sages leave the place. Conversation starts between Krishna and the pisacas. The chief pisaca says: My name is Ghantan. I am a servant of Siva. Following orders of Siva, we are going to Dwaraka to seek blessings from Krishna. Without recognizing Krishna, they ask him to go away. They sit down in meditation and behold Vishnu in their mind. When they open their eyes they behold Krishna in the form of Vishnu. They seek the boon that "let ever blissful bhakti reside in us". By Krishna's touch, Ghantan's body changes into a beautiful one. Then Ghantan says: "This is my brother Karnan. Please bless him also". Krishna obliges.
Towards the end of the night, by Krishna's orders the pisacas proceed to Kailasa. Later on, Krishna also proceeds to Kailasa. The whole host of Devas and Sages arrive to witness the meeting of Krishna and Siva.
Hearing the news from Ghantan and Karnan, Siva starts with Parvati, Skanda and Ganapati. They are accompanied by bhutas, pisacas, vetalas, yakshas, snakes, kinnaras, brahmaraksasas and guhyakas. At the meeting, Krishna and Siva hold hands and profusely praise each other.
This retelling in Bhagavatam Kilippattu appears to follow Harivamsa in the bare storyline but deviates from it in details. Most noticable among them is the splitting of one into two (Ghantakarnan into Ghantan and Karnan). Is this simply the poetic license of the author of Bhagavatam Kilippattu or is there any puranic precedence?
Kuncan Nambiar mentioned Ghantakarnan as one of the terrible bhutaganas who accompanied Virbhadran:
Page 802-803 , Dakshayagam - Ottan Thullal by Kuncan Nambiar (1700-1770)
75 Thullal kathakal - Edited by Dr. V.S.Sarma, D.C.Books, Kottayam (1976)
As ordered by Siva, Virbhadran, mounting on a lion, proceeded to the site of the yaga. He was accompanied by most terrible Bhutaganas, namely, Ghoran, Aghoran, Mahodaran, Karalan, Veeran, Bhrigeeradi, Manibhadran, Mahakalan, Jithabhadran, Nandi, Ghantakarnan, etc.
"Shey" is a long story by Tagore in volume 16 of the Vishva Bharati Complete Works. It is an Alice in Wonderland type of take off in which Tagore is trying to amuse his granddaughter Pupeydidi.
In the relevant passage he
tells her that in the story she has been taken away by a hare and to track
her down he asks if she could hear the sound of a bell on the road being
travelled, because in that case it led straight to the lane inhabited by the
Ghantakarnas who have two bells on their two ears, and two hammers on their
two tails. They swing, by turns, a tail to play a bell on each ear. There
are two types of Ghantakarnas: one variety is fierce, whose sound is brassy
like a cymbal; the other gives out a deep resonant sound.
Pupey: "Dadamoshai, can you ever hear the sound?"
"Of course. The very other night, while reading a book, suddenly I heard
Ghantakarna moving through the deep darkness. When he rang twelve times I
couldn't restrain myself any more. Quickly laying aside the book, starting
up I rushed to bed and shoving my face into the pillow, shut my eyes and
stayed supine."
"Is Ghantakarna friends with the hare?"
"Very fast friends indeed. The hare moves through the lane of the seven
rishis�keeping his ears attuned in the direction of his sound."
"And then?"
"Then when it rings one, two, three, four, five, then the road ends."
"And then?"
"Then he reaches beyond the field of sleep to the land of light."
(The grandfather says
he is 70 while the granddaughter is 9. This provides perspective to the story
he is concocting! - PB)
Translated from Bengali by Pradip Bhattacharya
Here is a web site which has information on a book, Rabindranath Tagore's He (S�) translated by Kalyan Kundu and Anthony Loynes which contains the full story.
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Ghantakarnan together with his brother makes his appearance before Krishna in the sixth play Banayuddham of the Krishnattam at Guruvayur Temple, Guruvayur, Thrissur (Dt), Kerala, India. Krishnattam is based on the sanskrit poem with padas and slokas Krishnagiti written by the Zamorin King Manavedan in 1654.
Banayuddham
( Part of Sloka 6 )
When Rukmini requested Krishna for a son equal to him, Krishna replied
that he will appease Siva, the Lord of Kailasa and then grant her wish.
On his way to Kailasa, Krishna reached Badaryasrama.
( Sloka - 7 )
Ghantakarna and his brother, blessed with best lives, hunting and killing
wild animals, singing happily the names, Son of Nanda, Slayer of Naraka,
Hari, Krishna, Rama approached Krishna.
The best among devotees, upon seeing Krishna, they were overwhelmed with
joy.
They addressed Krishna happily.
Krishna, the friend of Siva was also pleased with their devotion and
addressed them.
( Padam-1 )
Ghantakarna:
O! Great among men ! who are you? Why did you come here? Today, my life has
become fruitful.
( Pallavam : )
O! Peaceful One! Seeing your pleasant attitude, I feel happy.
My mind gets attached to you, the best among men, as though you are the
Jewel of Yadava Race, the Great among Good Men, Sri Krishna.
Krishna :
O! Ornament of Pisaca Race ! I am born in Yadava Race for protecting the
earth suffering from evil kings.
To accomplish certain things, I am rushing to meet Siva, who is good to
everyone.
O! Great Devotee ! Who are you? Who is this standing by your side?
Ghantakarna:
I am a servant of Siva. From the abode of Siva, I am proceeding to Dwaraka,
which bestows good, only to meet you.
In the world, we are known as Ghantakarnas. This is my younger brother. O
Lord! We are your Devotees.
( Sloka 8 )
Saying this, they happily danced around. Prostrating before Krishna,
they offered a piece from a Brahmin's dead body as the best offering.
Krishna was extremely pleased. He transformed them to divine men and sent
them to heaven.
Thereafter, Krishna proceeded to Kailasa and performed penance with
determined mind.
( Sloka 9 )
Siva came in a hurry to meet you. He was accompanied by the Gods of the
world, secondary gods, Bhootas, Ghosts (Pretas), Pisacas who were
immensely pleased and highly surprised (hence appeared tired), and
Parvati. Snakes were dangling around his neck as if they were garlands.
Siva's eyes were wide open and he put his finger on his nosetip with
astonishment. He smiled profusely. Seeing Siva, O unconquered One, you
were pleased and you praised him.
Translated by A. Purushothaman from the Malayalam translation of Krishnagiti by Shri P.C. Vasudevan Elayath.
We started out with Mahabharata. So it seems appropriate to end with something from Mahabharata. In Anusasana Parva we find Krishna telling Yudhisthira his journey to Kailasa and meeting with Siva. This was at the insistence of Jambavati to get a son. Krishna meets the rishi Upamanyu who glorifies Siva. Upamanyu recalls his mother's words. We hear that "the Great God Siva appears in multitudes of forms". One form that gets mentioned is "pisaca"!